As an “Occasional Student” at University College London in the early 1970s and a regular visitor to the Warburg Institute, Oxford, and Cambridge after that, I—like many American humanists—envied colleagues who taught at British universities. We had offices with linoleum; they had rooms with carpets. We worked at desks; they sat with their students on comfy chairs and gave them glasses of sherry. Above all, we felt under constant pressure to do the newest new thing, and show the world that we were doing it: to be endlessly innovative and interdisciplinary and industrious.
British humanists innovated too. Edward Thompson and Eric Hobsbawm, Frances Yates and Peter Burke, and many others formulated new ways of looking at history for my generation. But British academics always admitted, as we sometimes did not, that it is vital to preserve and update our traditional disciplines and forms of knowledge: languages, precise interpretation of texts and images and objects, rigorous philosophical analysis and argument. Otherwise all the sexy interdisciplinary work will yield only a trickle of trendy blather.
Continue to read this article...There was a Slow Food feel to British university life, based on a consensus that people should take the time to make an article or a book as dense and rich as it could be. Good American universities were never exactly Fast Food Nation, but we certainly felt the pressure to produce, regularly and rapidly. By contrast, Michael Baxandall spent three years at the Warburg Institute, working in the photographic collection and not completing a dissertation, and several more as a lecturer, later on, writing only a few articles. Then, in 1971 and 1972, he produced two brilliant interdisciplinary books, which transformed the study of Renaissance humanism and art, remain standard works to this day, and were only the beginning of a great career. Gertrud Bing, E.H. Gombrich, J.B. Trapp, and A.M. Meyer, who administered the Warburg in those days, knew how to be patient. Their results speak for themselves.
From the accession of Margaret Thatcher onward, the pressure has risen. Universities have had to prove that they matter. Administrators and chairs have pushed faculty to win grants and publish and rewarded those who do so most successfully with periods of leave and other privileges that American professors can only dream of. The pace of production is high, but the social compact among teachers is frayed. In the last couple of years, the squeeze has become tighter than ever. Budgets have shrunk, and universities have tightened their belts to fit. Now they are facing huge further cuts for three years to come—unless, as is likely, the Conservatives take over the government, in which case the knife may go even deeper.
Administrators have responded not by resisting, for the most part, but by trying to show that they can “do more with less.” To explain how they can square this circle, they issue statements in the Orwellian language of “strategic planning.” A typical planning document, from King’s College London, explains that the institution must “create financially viable academic activity by disinvesting from areas that are at sub-critical level with no realistic prospect of extra investment.”
The realities that this cloud of ink imperfectly conceal are every bit as ugly as you would expect. Humanists who work on ancient manuscripts and languages or write about premodern history or struggle with hard issues in semantics don’t always make an immediate impact or bring in large amounts of grant money—even when other scholars around the world depend on their studies. If you don’t see the point of their work, why not eliminate them? Then you have room for things that pay off immediately.
At King’s College London, the head of arts and humanities has already informed world-famous professors—one, David Ganz, in paleography, the study of ancient scripts, and two in philosophy—that their positions will be discontinued at the end of the academic year. All three are remarkable scholars who have had remarkable students. Paleography—to take the field that I know best—is to the study of texts what archaeology is to the study of cities and temples. Paleographers lay the foundations other humanists build on. They tell historians and literary scholars which texts were written when and what they say, which scripts were used where, and why, and by whom. Training in the analysis of manuscripts is central to the world-famous programs in medieval studies that are among the glories of King’s College. That is why Jeffrey Hamburger, the Harvard art historian who is one of the world’s leading experts on medieval manuscripts, has helped to organize a worldwide campaign to reverse the decision. (Similarly, the Chicago philosopher Brian Leiter has publicized the cuts in philosophy on his widely read blog).
The cuts are not intended to stop with the first victims. All other members of the arts and humanities faculty at King’s are being forced to reapply for their jobs. When the evaluation is finished, around twenty-two of them will have been voted off the island. Even the official statements make clear that these faculty members will be let go not because they have ceased to do basic research or teach effectively, but because their fields aren’t fashionable and don’t spin money. When criticized, the principal of King’s, Rick Trainor, complained that foreign professors don’t appreciate the financial problems that he faces. He’s wrong. All of us face drastic new financial pressures.
But we also appreciate a principle that seems to elude Mr. Trainor—as well as his colleagues at Sussex, who have begun similar measures, and the London administrators who seem bent on turning the Warburg Institute from a unique research center, its open stacks laden with treasures uniquely accessible to all readers, into a book depository. Universities exist to discover and transmit knowledge. Scholars and teachers provide those services. Administrators protect and nurture the scholars and teachers: give them the security, the resources, and the possibilities of camaraderie and debate that make serious work possible. Firing excellent faculty members is not a clever tactical “disinvestment,” it’s a catastrophic failure.
Are academic salaries really the main source of the pressure on the principal? Vague official documents couched in management jargon are hard to decode. The novelist and art historian Iain Pears notes that King’s has assembled in recent years an “executive team with all the managerial bling of a fully-fledged multi-national, complete with two executive officers and a Chief information officer.” The college spent £33.5 million on administrative costs in 2009, and is actively recruiting more senior managers now. These figures do not evince a passion for thrift. Moreover, the head of arts and humanities proposes to appoint several new members of staff even as others are dismissed. Management probably does want to save money—but it definitely wants to install its own priorities and its own people, regardless of the human and intellectual cost.
Universities become great by investing for the long term. You choose the best scholars and teachers you can and give them the resources and the time to think problems through. Sometimes a lecturer turns out to be Malcolm Bradbury’s fluent, shallow, vicious History Man; sometimes he or she turns out to be Michael Baxandall. No one knows quite why this happens. We do know, though, that turning the university into The Office will produce a lot more History Men than scholars such as Baxandall.
Accept the short term as your standard—support only what students want to study right now and outside agencies want to fund right now—and you lose the future. The subjects and methods that will matter most in twenty years are often the ones that nobody values very much right now. Slow scholarship—like Slow Food—is deeper and richer and more nourishing than the fast stuff. But it takes longer to make, and to do it properly, you have to employ eccentric people who insist on doing things their way. The British used to know that, but now they’ve streaked by us on the way to the other extreme.
At this point, American universities are more invested than British in the old ways. Few of us any longer envy our British colleagues. But straws show how the wind blows. The language of “impact” and “investment” is heard in the land. In Iowa, in Nevada, and in other places there’s talk of closing humanities departments. If you start hearing newspeak about “sustainable excellence clusters,” watch out. We’ll be following the British down the short road to McDonald’s.
Anthony Grafton teaches the history of Renaissance Europe at Princeton University.